A few weeks ago, on June 11th of 2020, composer and sound artist Jeremy Woodruff invited Sanne Krogh Groth and me to a longer interview session. Being a member of the famous …Continue reading
My Listening Protocol III
Late in 2019 and early in 2020, Salomé Voegelin and Mark Wright, directing the impressive project Listening Across Disciplines visited us here at the Sound Studies Lab. They discussed with us our …Continue reading
Sonic Fiction
The formal structures of time collapse, regress to mud, and space is pushed back and forth until it bends to be trampled by the pulsations of alien music, while the thinking space …Continue reading
The Sound of Corona
Can you hear the coronavirus? What does it sound like? Recently, some compositions which used data gathered from the coronavirus, stirred up some conversations among listeners, composers, musicians, scientists, engineers, and artists: the …Continue reading
My Listening Protocol II
This listening protocol was written in relation to conversations with Salomé Voegelin and Mark Wright who visited the Sound Studies Lab at the University of Copenhagen in the context of their research …Continue reading
My Listening Protocol
In recent months, Salomé Voegelin and Mark Wright, directing the impressive project Listening Across Disciplines visited me and my team here at the Sound Studies Lab. They discussed with us our research …Continue reading
The Bloomsbury Handbook of Sound Art
Over a dinner at Café Wilder in Copenhagen, October 11th, 2016, we, Sanne Krogh Groth and I came across some intriguing ideas for a handbook on SOUND ART in the 21st century: …Continue reading
An Almanac of Sound Words
How do you speak about sound? This core question of sound studies and of artistic approaches around sound is probably troubling listeners and sound aficionados since the beginning of hearing – and …Continue reading
Honey is Something We Make Together
“They don’t have honey here,” a man said confused. At the end of his journey through the tent of the installation, he was disappointed that there was no honey to taste. Instead, …Continue reading
Notes on a Silent Meal II
Last week I had the honour of partaking for the third time at a so-called Silence Meal, a performance by artist Nina Backman. This time the meal was part of the Jazzfest …Continue reading